"Cold but never sterile, the drones speak of urban disintegration and societal collapse while retaining the beautiful individuality of an outsider. The buildings and spaces were left vacant and abandoned, with only an airy, draughty drone continuing to blow into the empty room. And even when buildings and spaces are populated with people, they can still feel cold and unwelcoming because of the people and their non-existent or stilted interactions.
Southern Gap’s rainy drones are cool to the touch, not so much unfriendly as they are indifferent to the new kid on the block, and the welcome mat in this community needs a severe dusting. In this world, neighbours don’t talk to each other, and people are disconnected from one another even though they occupy the same space. It’s part of a wider problem, and that’s reflected in a strobing synth that appears blurred and distant and distinctly grey.
A tight, diminutive rhythm populates ‘Ritual For Conscious Dying’ while a faded atmosphere swirls around it, thoroughly fatigued and enduring the recital of its last rites before the lights go out. The overcast notes are reminiscent of Loscil’s music, evoking emptiness, isolation, and an out-of-season chill. ‘Ninety Blocks’ is a lengthy organ-drone which could’ve emerged from the likes of Claire M. Singer or Sarah Davachi. Patience and tonal-focus is in the spotlight.
Every sound matters as gentle, warped oscillations flutter in turbulent air. ‘Courtyard’ adds a vicious, recurring distortion which helps to demonstrate the falling away of order and communication, and the music’s borough is an uneasy one. Flanked by ugly towers and distasteful designs on one side and indifferent people on the other, despite the silk-like quality of the drone, its inner-city music is drenched in constant rain."
-- Fluid Radio
"The pervasive drone of opener ‘Arcade Flutes’ conjures such spaces, housing nothing beyond draughts and damp air and a creeping sense of loss. The melodica and other sounds warbling beneath the tone are echoes of a squandered future, old energies vibrating, haunting, merged now with the creak of the wind and drip of the walls. Community, it seems, has long since departed from Howe’s world. Only isolation and its steady decay are waiting for us now.
Its downbeat opening spoken word segment like some elegy for lost things, ‘Ritual For Conscious Dying’ continues such ideas, pushing a brooding ambient sound toward a subtle dub beat. In shading its melancholic spirit with an ominous edge, the track is suggestive of some dark force within time, or perhaps some ulterior timelessness, a lurking menace that will outlast us and our plans, and sweep into the hollow remains when all else is gutted. Is it any wonder then that we spend to much time looking backward, towards the past?
There’s a near geological weight to ‘Ninety Blocks’, its organ hum needling high and falling again, an earth force of rock and gas and heat. Wenc draws an accurate comparison to the work of Kali Malone, the track sharing the same willingness, be it patience or bravery or resolve, that made The Sacrificial Code so besetting and moving. With its delicate rumbling synths and cyclical discordant samples, closer ‘Courtyard’ brings to mind other sources, the sinister industrial dread of Pye Corner Audio blended with the atonal, obscured violence of Dean Hurley’s work on Twin Peaks. The track is a fitting conclusion, painting a world in which echoes rise to replace all things and mourning this loss with a plaintive, wounded hum."
-- Various Small Flames
credits
released December 20, 2019
Released 12.20.19 on Lobby Art Records
lobbyartrecs.bandcamp.com
Recorded and mixed by Dylan M Howe in Portland Oregon.
Vinyl mastered by Andrew Weathers.
Digital mastered by Dylan M Howe
Genre-defying electronic music that at times operates at the slow stutter-step of dubstep and others with the drift of ambient. Bandcamp New & Notable Oct 9, 2022